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Bach - Passacaglia in C minor BWV 582 - Smits | Netherlands Bach Society

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00:12:42
01.09.2020

In the Passacaglia in C minor, performed by Reitze Smits for All of Bach, Bach's genius is as clear as day. As a variation work, it surpasses anything Bach could have heard in his younger years. The ostinato, the repetitive bass line that forms the foundation of a passacaglia, is made up of eight bars, rather than the usual four. The work consists of twenty variations, rather than the usual five or six. And on top of its initial function, the bass line is then split up and treated as two separate themes that, accompanied by a third theme, form the material for an ingenious fugue. Recorded for the project All of Bach on November 29th 2013 at Lutheran Church, The Hague. If you want to help us complete All of Bach, please subscribe to our channel 🤍 and consider donating 🤍 This recording was made with support of Andrew S. Lim, United States. For the interview with organist Reitze Smits on the Passacaglia in C minor go to 🤍 For more information on BWV 582 and this production go to 🤍 All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and its guest musicians. Visit our free online treasury for more videos and background material 🤍 For concert dates and further information go to 🤍 Reitze Smits, organist Organ: Johann Heinrich Hartmann Bätz, 1762

Bach - Die Kunst der Fuge BWV 1080 - Sato | Netherlands Bach Society

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01:29:04
15.09.2022

Bach’s Kunst der Fuge is shrouded in mystery. We don’t know whether Bach intended the music as material for practice or performance. The order of the 18 sections is unclear as well and we don’t know whether the piece was ever completed. Shunske Sato made his own instrumentation for the Netherlands Bach Society. “I wanted to bring out the many colours of the work and of my ensemble. Every fugue has its own character. On the basis of the rhythm, time and chromatic lines, etc., you can determine which instrument is most suitable. I’ve studied each part very carefully, in order to decide which instruments are best to use. I wanted the whole Netherlands Bach Society to be heard, so the singers are taking part as well. They sing without words, to vowel sounds. When you introduce singers to the Art of Fugue, you can hardly ignore the example of the Swingle Singers. The sung Contrapunctus 9 is intended as a tribute to their great recording." For a more detailed explanation of this work and this particular performance go to: 🤍 Recorded for the project All of Bach on 30 September and 1 October 2021 at the Grote Kerk, Veere. If you want to help us complete All of Bach, please subscribe to our channel 🤍 and consider donating 🤍 For the interview with musicians on Die Kunst der Fuge go to 🤍 For more information on BWV 1080 and this production go to 🤍 All of Bach is a project of the Netherlands Bach Society, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and its guest musicians. Visit our free online treasury for more videos and background material on 🤍 For concert dates and tickets go to 🤍 Netherlands Bach Society Shunske Sato, violin and direction 0:00 Contrapunctus 1 3:35 Contrapunctus 2 7:18 Contrapunctus 3 10:16 Contrapunctus 4 15:02 Chorale 15:46 Contrapunctus 5 19:23 Contrapunctus 6 23:27 Contrapunctus 7 27:13 Chorale 27:52 Contrapunctus 8 33:56 Contrapunctus 9 36:55 Contrapunctus 10 41:42 Contrapunctus 11 48:05 Chorale 48:47 Contrapunctus inversus a 4 (forma inversa) 50:42 Contrapunctus inversus a 4 (forma recta) 52:37 Contrapunctus inversus a 3 (forma recta) 55:00 Contrapunctus inversus a 3 (forma inversa) 57:23 Chorale 58:01 Canon alla Ottava 1:00:48 Canon alla Decima in Contrapunto alla Terza 1:05:40 Canon alla duodecima in contrapunto alla Quinta 1:08:17 Canon per Augmentationem in contrario motu 1:16:15 Chorale 1:17:37 Fuga a 3 soggetti (reconstruction Kees van Houten/Leo van Doeselaar)

Bach - Mass in B minor BWV 232 - Van Veldhoven | Netherlands Bach Society

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01:48:43
22.01.2019

Sublime, extreme and all-embracing… only superlatives will do to describe Bach’s Mass in B minor, the 'Hohe Messe', performed by the Netherlands Bach Society for All of Bach. In between an awe-inspiring Kyrie and the jubilant final Dona nobis pacem, there are nine completely unique arias and duets, fourteen impressive ensemble sections for four, five, six and even eight voices, a broad spectrum of instrumental solos, and an incredible variety of styles. Recorded for the project All of Bach on December 15th 2016 at the Grote Kerk, Naarden. If you want to help us complete All of Bach, please subscribe to our channel 🤍 or consider donating 🤍 For the interview with musicians from the Netherlands Bach Society on the Mass in B minor go to 🤍 For more information on BWV 232 and this production go to 🤍 All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and her guest musicians. Visit our free online treasury for more videos and background material 🤍 For concert dates and further information go to 🤍 Jos van Veldhoven, conductor Hana Blažíková, soprano 1 Anna Reinhold, soprano 2 David Erler, alto Thomas Hobbs, tenor Peter Harvey, bass 0:00 Kyrie eleison (Coro) 11:07 Christe eleison (Duetto) 15:56 Kyrie eleison (Coro) 19:43 Gloria in excelsis Deo (Coro) 21:25 Et in terra pax (Coro) 26:06 Laudamus te (Aria) 30:09 Gratias agimus tibi (Coro) 33:19 Domine Deus (Duetto) 38:39 Qui tollis (Coro) 41:39 Qui sedes (Aria) 45:50 Quoniam tu solus sanctus (Aria) 50:33 Cum Sancto Spiritu (Coro) 54:14 Credo in unum Deum (Coro) 56:13 Patrem omnipotentem (Coro) 58:15 Et in enum Dominim (Duetto) 1:02:38 Et incarnatus est (Coro) 1:05:52 Crucifixus (Coro) 1:08:58 Et resurrecit (Coro) 1:12:56 Et in Spiritum Sanctum (Aria) 1:18:13 Confiteor (Coro) 1:22:18 Et expecto (Coro) 1:24:30 Sanctus (Coro) 1:26:58 Pleni sunt caeli 1:29:19 Osanna in exelsis (Coro) 1:31:59 Benedictus qui venit (Aria) 1:36:22 Osanno in excelsis (Coro) 1:39:05 Agnus Dei (Aria) 1:45:17 Dona nobis pacem (Coro)

Bach - Aria mit 30 Veränderungen Goldberg Variations BWV 988 - Rondeau | Netherlands Bach Society

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01:34:10
16.10.2018

The legend surrounding the 'Goldberg Variations', performed here by Jean Rondeau for All of Bach, is such a nice one. Count Hermann Karl von Keyserlinck was having trouble sleeping and asked Bach for some pleasant music to pass the time, to be played by Keyserlinck’s harpsichord prodigy Johann Gottlieb Goldberg. Recorded for the project All of Bach on June 6th 2017 at the Concertgebouw, Bruges. If you want to help us complete All of Bach, please subscribe to our channel 🤍 or consider donating 🤍 For the interview with harpsichordist Jean Rondeau on the 'Goldberg Variations' go to 🤍 For more information on BWV 988 and this production go to 🤍 All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and her guest musicians. Visit our free online treasury for more videos and background material 🤍 For concert dates and further information go to 🤍 Jean Rondeau, harpsichordist Harpsichord: Jonte Knif & Arno Pelto, 2004

Bach - Cantata Gott, man lobet dich in der Stille BWV 120 - Van Veldhoven | Netherlands Bach Society

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00:22:31
15.11.2018

The only parts that Bach definitely wrote especially for 'Gott, man lobet dich in der Stille', performed by the Netherlands Bach Society for All of Bach, are the recitatives and the final chorale of the piece. Although the opening aria and the ensuing chorus for a large group of musicians to the words ‘Rejoice, you joyful voices’ correspond closely to the text, Bach initially did not compose them for these words. The latter and other remaining parts were borrowed from his earlier pieces. Recorded for the project All of Bach on March 15th 2014 at St Martin's Church, Groningen. If you want to help us complete All of Bach, please subscribe to our channel 🤍 and consider donating 🤍 For the interview with countertenor Damien Guillon on 'Gott, man lobet dich in der Stille' go to 🤍 For the interview with conductor Jos van Veldhoven on BWV 120 go to 🤍 For the interview with trumpet player Robert Vanryne on BWV 120 go to 🤍 For more information on BWV 120 and this production go to 🤍 All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and her guest musicians. Visit our free online treasury for more videos and background material 🤍 For concert dates and further information go to 🤍 Netherlands Bach Society Jos van Veldhoven, conductor Maria Keohane, soprano Damien Guillon, alto Valerio Contaldo, tenor Lionel Meunier, bass 0:00 Gott, man lobet dich (Arie) 5:42 Jauchzet, ihr erfreuten Stimmen (Chor) 12:00 Auf, du geliebte Lindenstadt (Rezitativ) 13:48 Heil und Segen (Arie) 19:10 Nun, Herr, so weihe selbst (Rezitativ) 20:02 Nun hilf uns, Herr, den Dienern dein (Choral)

Bach - Concerto in A minor BWV 1065 | Netherlands Bach Society

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00:09:46
31.12.2020

Bach arranged various Vivaldi concertos for organ and harpsichord. The Concerto in A minor, performed by Siebe Henstra, Menno van Delft, Pieter-Jan Belder and Tineke Steenbrink for All of Bach, is largely based on Vivaldi's Concerto in B minor for four violins and orchestra. But of course, he gave it an exciting twist, as in Bach’s version the soloists play harpsichords and B minor changed to A minor. Recorded for the project All of Bach on April 16th 2016 at Ottone, Utrecht. If you want to help us complete All of Bach, please subscribe to our channel 🤍 or consider donating 🤍 For the interview with the harpsichordists on the Concerto in A minor go to 🤍 For more information on BWV 1065 and this production go to 🤍 All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and her guest musicians. Visit our free online treasury for more videos and background material 🤍 For concert dates and further information go to 🤍 Netherlands Bach Society Siebe Henstra, harpsichord 1 Menno van Delft, harpsichord 2 Pieter-Jan Belder, harpsichord 3 Tineke Steenbrink, harpsichord 4 Harpsichord 1: Titus Crijnen, 1992 after Johannes Ruckers, 1638 Harpsichord 2: Bruce Kennedy, 1989 after Michael Mietke Harpsichord 3: Titus Crijnen, 2013 after Blanchet Harpsichord 4: Lutz Werum, 2003 after Johannes Ruckers 0:00 [...] 4:04 Largo 6:17 Allegro

J.S. Bach - Prelude & Fugue BWV 847 in c minor by Nathalie Matthys

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00:03:15
23.03.2015

🙏🙏 HEY YOU, THANKS FOR WATCHING! 🙏🙏 🧙‍♂️|Become a Patreon|🧙‍♂️ As of now you can become a forever cherished patron on Patreon! Full content will be uploaded as soon as possible, and will then of course continue growing 🤍 💻 |Connect with me here| 💻 FB: 🤍 IG: 🤍 Website: 🤍 Mailing list (sends out every two weeks): 🤍 |Audience history| 🏆 1,500 subscribers reached: August 11, 2020 🏆 3,000 subscribers reached: TBD 🎥 |Video description| 🎥 Nathalie Matthys, recorded in Miry Concert Hall Ghent

Johann Sebastian BACH: Adagio, BWV 974

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00:04:24
03.08.2010

Cubus plays Adagio in D minor by Johann Sebastian Bach. It is an arrangement of an Oboe Concerto by Allesandro Marcello. Audio file: 🤍 A link to the sheet music can be found at 🤍 Playlist with all musical pieces by BACH posted by cubusdk: 🤍 Sound: Dark Ballad [006] on Roland RD-700GX. Reverb: Redline Reverb plugin, Preset: Stadium, 40 % wet.

100 Best of Bach

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06:57:55
27.09.2021

100 Best of Bach Tracklist: 0:00:00 Orchestral Suite No. 3 in D Major, BWV 1068: II. Air on the G String - Metamorphose String Orchestra, Pavel Lyubomudrov 0:05:49 Cantata "Ich steh mit einem Fuß im Grabe", BWV 156: Arioso - Mr & Mrs Cello Cello Suite No. 1 in G Major, BWV 1007: 0:11:50 I. Prélude 0:14:51 II. Allemande 0:19:06 III. Sarabande Massimiliano Martinelli 0:22:07 Bach-Gounod - Ave Maria - Metamorphose String Orchestra, Pavel Lyubomudrov Cello Suite No. 1 in G Major, BWV 1007: 0:26:50 III. Courante 0:29:25 V. Menuett I - Menuett II 0:32:27 VI. Gigue Massimiliano Martinelli French Suite No. 5 in G Major, BWV 816: 0:34:12 I. Allemande 0:37:22 II. Courante 0:39:12 III. Sarabande 0:44:53 IV. Gavotte 0:46:09 V. Bourrée 0:47:38 VI. Loure 0:50:03 VII. Gigue Vadim Chaimovich Goldberg-Variationen, Op. 4, BWV 988: 0:53:47 Aria 0:59:00 Variation 1 1:00:45 Variation 2 1:02:16 Variation 3, Canone all’Unisono 1:04:19 Variation 4 1:05:30 Variation 5 1:07:00 Variation 6, Canone alla Seconda 1:08:14 Variation 18, Canone alla Sesta 1:09:52 Variation 12, Canone alla Quarta 1:13:00 Variation 13 Andrea Cantù 1:17:35 Cantata, BWV 147: X. Jesu, Joy of Man's Desiring - Michele Nobler 1:22:04 Hunting Cantata, BWV 208: Sheep May Safely Graze - Rogerio Tutti Brandenburg Concerto No. 3 in G Major, BWV 1048: 1:26:13 II. Adagio 1:26:39 III. Allegro 1:31:26 I. — Brandenburg Concerto No. 4 in G Major, BWV 1049: 1:37:24 I. Allegro 1:44:37 II. Andante 1:48:16 III. Presto Brandenburg Concerto No. 5 in D Major, BWV 1050: 1:53:20 I. Allegro 2:04:01 II. Affettuoso 2:09:39 III. Allegro Orchestra da Camera Fiorentina, Giuseppe Lanzetta Keyboard Concerto No. 2 in E Major, BWV 1053: 2:15:09 I. No tempo indication 2:23:06 II. Siciliano 2:28:29 III. Allegro Keyboard Concerto No. 3 in D Major, BWV 1054: 2:34:21 I. No tempo indication 2:42:09 II. Adagio 2:48:27 III. Allegro Keyboard Concerto No. 4 in A Major, BWV 1055: 2:51:19 I. Allegro 2:55:10 II. Larghetto 3:01:27 III. Allegro ma non tanto Keyboard Concerto No. 5 in F Minor, BWV 1056: 3:05:35 I. No tempo indication 3:09:16 II.Largo 3:12:18 III. Presto Keyboard Concerto No. 6 in F Major, BWV 1057: 3:15:54 I. No tempo indication 3:23:21 II. Andante 3:27:20 III. Allegro Assai Keyboard Concerto No. 7 in G Minor, BWV 1058: 3:32:40 I. No tempo indication 3:36:34 II. Andante 3:42:46 III. Allegro Assai Keyboard Concerto No. 1 in D Minor, BWV 1052: 3:46:26 I. Allegro 3:54:54 II. Adagio 4:02:29 III. Allegro Metamorphose String Orchestra, Pavel Lyubomudrov Piano: Stanislav Soloviev Bach/Marcello - Concerto No. 3 in D Minor, BWV 974: 4:10:44 II. Adagio 4:15:31 I. — 4:18:32 III. Presto Vadim Chaimovich Partita No. 2 in C Minor, BWV 826: 4:21:26 I. Sinfonia. Grave - Adagio - Andante 4:26:10 II. Allemande 4:31:10 III. Courante 4:33:35 IV. Sarabande 4:37:21 V. Rondeau 4:38:59 VI. Capriccio Benedetta Iardella 15 Inventions, BWV 772-786 4:42:17 No. 2 in C Minor 4:45:22 No. 9 in F Minor Mr & Mrs Cello 4:47:32 Bach/Siloti - The Well-Tempered Clavier, Book I: Prelude in E Minor, BWV 855a 4:51:56 Chorale Prelude 'Ich ruf zu dir, Herr Jesu Christ', BWV 639 4:55:23 Chorale Prelude 'Nun komm' der Heiden Heiland', BWV 659 Vadim Chaimovich French Suite No. 3 in B Minor, BWV 814: 5:00:28 I. Allemande 5:03:32 II. Courante 5:05:40 III. Sarabande 5:09:45 IV. Anglaise 5:11:25 V. Menuet 5:13:43 VI. Gigue Vadim Chaimovich Orchestral Suite No. 2 in B Minor, BWV 1067: 5:15:53 I. Overture 5:23:40 II. Rondò 5:25:09 III. Sarabanda 5:28:12 IV. Bourre I & Bourre II 5:30:16 V. Polacca 5:33:29 VI. Minuetto 5:34:40 VII. Badinerie Kaunas Chamber Orchestra, Marek Tracz Concerto for 2 Harpsichords in C minor, BWV 1060 (Arr. for 2 Pianos): 5:36:08 I. Allegro 5:41:07 II. Largo ovvero adagio 5:46:16 III. Allegro Orchestra da Camera Fiorentina, Mario Ruffini Piano: Fabio Fornaciari, Nicola Giaquinto Concerto for 2 Harpsichords in C major, BWV 1061 (Arr. for 2 Pianos): 5:49:57 I. No tempo indication 5:57:44 II. Adagio ovvero largo 6:03:01 III. Fuga. Vivace Orchestra da Camera Fiorentina, Mario Ruffini Piano: Hannah Kim, Matteo Guasconi Concerto for 2 Harpsichords in C minor, BWV 1062 (Arr. for 2 Pianos): 6:09:12 I. No tempo indication 6:13:06 II. Andante e piano 6:19:53 III. Allegro assai Orchestra da Camera Fiorentina, Mario Ruffini Piano: Leonardo Ruggiero, Ruggiero Fiorella Concerto for 3 Harpsichords in D minor, BWV 1063 (Arr. for 3 Pianos): 6:24:49 I. No tempo indication 6:29:38 II. Alla siciliana 6:34:45 III. Allegro Orchestra da Camera Fiorentina, Mario Ruffini Piano: Lin Wang, Lorenzo Fiorentini, Pietro Iacopini Concerto for 3 Harpsichords in C major, BWV 1064 (Arr. for 3 Pianos): 6:39:34 I. Allegro 6:46:04 II. Adagio 6:52:54 III. Allegro Orchestra da Camera Fiorentina, Mario Ruffini Piano: Giacomo Innocenti, Lorenzo Fiorentini, Pietro Iacopini #bach #baroquemusic

Bach - Air from Orchestral Suite no. 3 in D major BWV 1068 | Netherlands Bach Society

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21.05.2019

As conductor and harpsichordist Lars Ulrik Mortensen puts it, this Air from Orchestral Suite no. 3 in D major, performed here by the Netherlands Bach Society for All of Bach, describes a beauty we don't see anymore. Recorded for the project All of Bach on 15 October 2017 at Muziekgebouw aan 't IJ, Amsterdam. If you want to help us complete All of Bach, please subscribe to our channel 🤍 and consider donating 🤍 For the interview with conductor and harpsichordist Lars Ulrik Mortensen on Orchestral Suite no. 3 in D major BWV 1068 go to 🤍 For more information on BWV 1068 and this production go to 🤍 All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and its guest musicians. Visit our free online treasury for more videos and background material 🤍 For concert dates and further information go to 🤍 Netherlands Bach Society Lars Ulrik Mortensen, harpsichord and direction

Bach - St Matthew Passion BWV 244 - Van Veldhoven | Netherlands Bach Society

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02:44:32
02.04.2019

The St Matthew Passion performed by the Netherlands Bach Society for All of Bach. Whether or not they are an enthusiast of classical music, practically everyone in the Netherlands knows the St Matthew Passion. Since 1870 the Netherlands has had a rich tradition of annual St Matthew Passion performances. The Netherlands Bach Society was formed in 1921, in reaction to the popular performances by Willem Mengelberg and the Concertgebouw Orchestra. The founders believed that the St Matthew should be performed where it belonged – in a church. The annual performance by the Bach Society in Naarden grew to become 'the' Dutch St Matthew Passion. Recorded for the project All of Bach on April 16th and 19th 2014 at the Grote Kerk, Naarden. If you want to help us complete All of Bach, please subscribe to our channel 🤍 or consider donating 🤍 For the documentary about our performance of St Matthew Passion go to 🤍 For the interview with violinist Shunske Sato on BWV 244 go to 🤍 For the interview with conductor Jos van Veldhoven on BWV 244 (St Matthew tradition) go to 🤍 For the interview with conductor Jos van Veldhoven on BWV 244 (manuscript) go to 🤍 For the interview with conductor Jos van Veldhoven on BWV 244 (rhetoric) go to 🤍 For the interview with tenor Charles Daniels on BWV 244 go to 🤍 For more information on BWV 244 and this production go to 🤍 All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and her guest musicians. Visit our free online treasury for more videos and background material 🤍 For concert dates and further information go to 🤍 Netherlands Bach Society Kampen Boys Choir Jos van Veldhoven, conductor Soloists Coro 1 Benjamin Hulett, evangelist Griet De Geyter (First Maid, Pilate’s Wife), soprano Tim Mead, alto Robert Murray, tenor Andreas Wolf (Jesus), bass Soloists Coro 2 Lore Binon, soprano Alex Potter (First Witness), alto Charles Daniels (Second Witness), tenor Sebastian Noack (Judas, Pilate), bass 0:00 Kommt, ihr Töchter (Chor) 8:46 Herzliebster Jesu (Choral) 10:02 Ja nicht auf das Fest (Chor) 10:49 Wozu dienet dieser Unrat? (Chor) 12:50 Du lieber Heiland (Arioso) 13:46 Buss und Reu (Arie) 18:08 Blute nur (Arie) 23:03 Wo willst du (Chor) 24:50 Herr, bin ich's? (Chor) 25:03 Ich bin's (Chor) 28:53 Wiewohl mein Herz (Arioso) 30:07 Ich will dir mein Herze schenken (Arie) 34:24 Erkenne mich, mein Hüter (Choral) 36:40 Ich will hier bei dir stehen (Choral) 39:35 O Schmerz (Arioso) 41:10 Ich will bei meinem Jesu wachen (Arie) 46:58 Der Heiland fällt (Arioso) 47:50 Gerne will ich mich bequemen (Arie) 53:28 Was mein Gott will (Choral) 57:00 So ist mein Jesus nun gefangen (Arie) 1:00:07 Sind Blitze, sind Donner (Chor) 1:03:38 O Mensch, bewein (Choral) 1:09:16 Ach! Nun ist mein Jesus hin (Arie) 1:13:34 Mir hat die Welt (Choral) 1:15:31 Mein Jesus schweigt (Arioso) 1:16:58 Geduld! (Aria) 1:22:01 Er is des Totes schuldig (Chor) 1:22:27 Weissage uns (Chor) 1:22:48 Wer hat dich so geschlagen (Choral) 1:24:42 Wahrlich, du bist (Chor) 1:26:19 Erbarme dich (Arie) 1:32:34 Bin ich gleich (Choral) 1:34:33 Was gehet uns das an? (Chor) 1:35:22 Gebt mir meinem Jesum wieder! (Arie) 1:40:14 Befiehl du deine Wege (Choral) 1:43:27 Lass ihn kreuzigen (Chor) 1:43:46 Wie wunderbarlich ist doch diese Strafe! (Choral) 1:44:55 Er hat uns allen wohlgetan (Arioso) 1:46:01 Aus Liebe (Arie) 1:50:52 Lass ihn kreuzigen (Chor) 1:51:35 Sein Blut komme über uns (Chor) 1:52:29 Erbarm es Gott! (Arioso) 1:53:23 Können Tränen meiner Wangen (Arie) 2:01:22 Gegrüsset seist du (Chor) 2:01:49 O Haupt voll Blut und Wunden (Choral) 2:05:03 Ja freilich (Arioso) 2:05:41 Komm, süsses Kreuz (Arie) 2:13:26 Der du den Tempel (Chor) 2:14:01 Andern hat er (Chor) 2:15:06 Ach Golgatha (Arioso) 2:16:27 Sehet, Jesus hat die Hand (Arie) 2:21:30 Der rufet dem Elias (Chor) 2:21:46 Halt! Lass sehen (Chor) 2:22:23 Wenn ich einmal soll scheiden (Choral) 2:24:56 Wahrlich, dieser ist Gottes Sohn gewesen (Chor) 2:26:33 Am Abend (Arioso) 2:28:27 Mache dich, mein Herze, rein (Arie) 2:35:13 Herr, wir haben gedacht (Chor) 2:38:45 Wir setzen uns mit Tränen nieder (Chor)

Bach - Cantata Lobe den Herrn, meine Seele BWV 69 - Dijkstra | Netherlands Bach Society

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00:20:21
22.04.2021

Bach performed the first version of 'Lobe den Herrn, meine Seele' when he had been working for just half a year in Leipzig, on the twelfth Sunday after Trinity. Many of the devout town councillors would have been concerned during the opening section. Talk about theatrical! Recorded for the project All of Bach on February 18th 2017 at the Walloon Church, Amsterdam. If you want to help us complete All of Bach, please subscribe to our channel 🤍 and consider donating 🤍 For the interview with conductor Peter Dijkstra on 'Lobe den Herrn, meine Seele' go to 🤍 For more information on BWV 69 and this production go to 🤍 All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and its guest musicians. Visit our free online treasury for more videos and background material 🤍 For concert dates and further information go to 🤍 Netherlands Bach Society Peter Dijkstra, conductor Miriam Feuersinger, soprano Alex Potter, alto Thomas Hobbs, tenor Peter Kooij, bass 0:00 Lobe den Herrn, meine Seele (Chor) 5:23 Wie groß ist Gottes Güte doch! (Rezitativ) 06:44 Meine Seele, auf! (Arie) 13:11 Der Herr hat große Ding (Rezitativ) 15:32 Mein Erlöser und Erhalter (Arie) 18:43 Es danke, Gott (Choral)

Bach - Magnificat BWV 243 - Van Veldhoven | Netherlands Bach Society

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00:28:30
19.12.2019

The Magnificat, performed by the Netherlands Bach Society for All of Bach, is the first large choral work that Bach composed after his appointment in Leipzig in the spring of 1723. It is an ‘old-fashioned’ but delightful five-voiced work that uses Latin, just like the other rarity among Bach’s works, the Mass in B minor. Recorded for the project All of Bach on May 2nd 2014 at the Grote Kerk, Naarden. If you want to help us complete All of Bach, please subscribe to our channel 🤍 or consider donating 🤍 For the interview with soprano Hana Blažíková on Magnificat go to 🤍 For the interview with conductor Jos van Veldhoven on BWV 243 go to 🤍 For the interview with cellists Lucia Swarts and Richte van der Meer on BWV 243 go to 🤍 For the interview with tenor Thomas Hobbs on BWV 243 go to 🤍 For the interview with trumpet player Robert Vanryne on BWV 243 go to 🤍 For more information on BWV 243 and this production go to 🤍 All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and her guest musicians. Visit our free online treasury for more videos and background material 🤍 For concert dates and further information go to 🤍 Netherlands Bach Society Jos van Veldhoven, conductor Julia Doyle, soprano 1 Hana Blažíková, soprano 2 Maarten Engeltjes, alto Thomas Hobbs, tenor Christian Immler, bass 0:00 Magnificat (Coro) 3:05 Et Exsultavit (Aria) 5:28 Quia Respexit (Aria) 8:12 Omnes (Coro) 9:36 Quia Fecit (Aria) 11:49 Et misericordia (Duetto) 15:28 Fecit Potentiam (Coro) 17:25 Deposuit (Aria) 19:34 Esurientes (Aria) 22:26 Suscepit Israel (Terzetto) 24:30 Sicut Locutus Est (Coro) 26:14 Gloria Patri (Coro)

Bach - Concerto in A minor BWV 593 - Smits | Netherlands Bach Society

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00:11:41
29.07.2021

The Concerto in A minor, performed by Reitze Smits for All of Bach, is based on a concerto by Vivaldi. Although Bach never lived outside Germany, he was still well aware of what was happening in the music world abroad. When Vivaldi’s volume of revolutionary new concertos L’estro armonico was published in Amsterdam in 1711, it was not long before Bach got a look at it. Recorded for the project All of Bach on November 29th 2013 at the Lutheran Church, The Hague. If you want to help us complete All of Bach, please subscribe to our channel 🤍 and consider donating 🤍 For the interview with organist Reitze Smits on the Concerto in A minor go to 🤍 For more information on BWV 593 and this production go to 🤍 All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and its guest musicians. Visit our free online treasury for more videos and background material 🤍 For concert dates and further information go to 🤍 Reitze Smits, organist Organ: Johann Heinrich Hartmann Bätz, 1762

Bach - Orchestral Suite no. 3 in D major BWV 1068 - Mortensen | Netherlands Bach Society

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It is an anachronism to call this festive Suite no. 3 in D major, performed here by the Netherlands Bach Society conducted by Lars Ulrik Mortensen for All of Bach, 'orchestral'. There are no trumpets, timpani or even oboes in this performance, as Bach only added these instruments around 1730. Mortensen reduces the line up to a minimum and does not regret the loss of the timbre of the wind instruments in the least: with just strings left, the music sounds sleek and transparent. Recorded for the project All of Bach on 15 October 2017 at Muziekgebouw aan 't IJ, Amsterdam. If you want to help us complete All of Bach, please subscribe to our channel 🤍 and consider donating 🤍 For the interview with conductor and harpsichordist Lars Ulrik Mortensen on Orchestral Suite no. 3 in D major BWV 1068 go to 🤍 For more information on BWV 1068 and this production go to 🤍 All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and its guest musicians. Visit our free online treasury for more videos and background material 🤍 For concert dates and further information go to 🤍 Netherlands Bach Society Lars Ulrik Mortensen, harpsichord and direction 0:00 Ouverture 6:18 Air 10:48 Gavotte I & II 14:00 Bourrée 15:04 Gigue

Bach - Jesus bleibet meine Freude from Cantata BWV 147 | Netherlands Bach Society

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10.08.2021

For the complete cantata 'Herz und Mund und Tat und Leben' BWV 147 go to: 🤍 Bach’s famous chorale 'Jesus bleibet meine Freude', from cantata 'Herz und Mund und Tat und Leben', was first heard when the cantata was performed in Leipzig, on 2 July 1723, for the Feast of the Visitation. It was during Bach’s first months as cantor and he reused music that he had to hand, as he often did. Bach had already written most of BWV 147 in 1716, as an advent cantata for the court chapel in Weimar, but it was only in Leipzig that he added the recitatives with instrumental accompaniment and the well-known chorale. So Bach turned a concise cantata (opening chorus, four arias and probably a simple closing chorale) into a big two-part cantata. Recorded for the project All of Bach on December 13th 2018 at the Grote Kerk, Naarden. If you want to help us complete All of Bach, please subscribe to our channel 🤍 and consider donating 🤍 For the interview with tenor Immo Schröder and oboist Emma Black on Cantata 147 go to 🤍 For more information on BWV 147 and this production go to 🤍 All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and its guest musicians. Visit our free online treasury for more videos and background material 🤍 For concert dates and further information go to 🤍 Netherlands Bach Society Marcus Creed, conductor Griet de Geyter, sopran Alex Potter, alto Guy Cutting, tenor Matthias Winckhler, bass

Bach - Cantata Vergnügte Ruh, beliebte Seelenlust BWV 170 - Van Veldhoven | Netherlands Bach Society

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20.09.2018

Take any CD of collected alto arias and you’ll find the first aria from 'Vergnügte Ruh, beliebte Seelenlust'. This piece is performed here by the Netherlands Bach Society for All of Bach. On a first hearing, it is a ‘Classic FM’ piece, and it sings of pleasant repose. “However”, says alto soloist Alex Potter, “Bach is more than that. He shows how that heavenly peace is more of an ambition than an achievement.” Recorded for the project All of Bach on October 22nd 2016 at the Walloon Church, Amsterdam. If you want to help us complete All of Bach, please subscribe to our channel 🤍 or consider donating 🤍 For the interview with alto Alex Potter on 'Vergnügte Ruh, beliebte Seelenlust' go to 🤍 For more information on BWV 170 and this production go to 🤍 All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and her guest musicians. Visit our free online treasury for more videos and background material 🤍 For concert dates and further information go to 🤍 Netherlands Bach Society Jos van Veldhoven, conductor Alex Potter, alto 0:00 Vergnügte Ruh, beliebte Seelenlust (Arie) 6:18 Die Welt, das Sünderhaus (Recitativ) 7:41 Wie jammeren mich doch (Arie) 15:51 Wer sollte demnach wohl (Rezitativ) 17:04 Mir ekelt mehr zu leben (Arie)

Bach - Nun komm, der Heiden Heiland BWV 659 - Van Doeselaar | Netherlands Bach Society

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10.12.2019

This arrangement of 'Nun komm, der Heiden Heiland', performed by Leo van Doeselaar for All of Bach, is full of mystical expectation, which is underlined by the ‘quiet’ performance of this performance. Although Bach borrowed the form from Buxtehude, in style BWV 659 would not be amiss as the middle movement of an Italian concerto. All the elements are present: a walking bass, a duet of middle voices, and a leading upper voice. Recorded for the project All of Bach on June 23rd 2014 at the Walloon Church, Amsterdam. If you want to help us complete All of Bach, please subscribe to our channel 🤍 and consider donating 🤍 For the interview with organist Leo van Doeselaar on 'Nun komm, der Heiden Heiland' go to 🤍 For more information on BWV 659 and this production go to 🤍 All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and its guest musicians. Visit our free online treasury for more videos and background material 🤍 For concert dates and further information go to 🤍 Leo van Doeselaar, organist Organ: Christian Müller, 1734

Bach - Cello Suite no. 2 in D minor BWV 1008 - Pincombe | Netherlands Bach Society

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23.10.2018

The second Cello Suite in D minor, performed by Steuart Pincombe for All of Bach, has a dark and introspective tone. It is one of the favourite pieces of Pincombe. As such, he was delighted when we asked him to record this suite in the Main Hall of the Concertgebouw, Amsterdam. The searching character of the piece suits Pincombe’s outlook. In his playing, he always tries to create something new, rather than recreating past experiences. Recorded for the project All of Bach on February 12th 2018 at the Concertgebouw, Amsterdam. If you want to help us complete All of Bach, please subscribe to our channel 🤍 or consider donating 🤍 This recording was made possible by Ammodo, Institute of Arts and Sciences: 🤍 For the complete set of Cello Suites go to: 🤍 For the interview with cellist Steuart Pincombe on Cello Suite no. 2 in D minor go to 🤍 For more information on BWV 1008 and this production go to 🤍 All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and her guest musicians. Visit our free online treasury for more videos and background material 🤍 For concert dates and further information go to 🤍 Steuart Pincombe, cello Instrument: unknown 0:00 Prelude 4:56 Allemande 8:53 Courante 10:45 Sarabande 16:14 Menuet I & II 19:04 Gigue

Bach - Cantata Gottes Zeit..., 'Actus Tragicus' BWV 106 - Van Veldhoven | Netherlands Bach Society

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08.11.2018

In 'Gottes Zeit ist die allerbeste Zeit', performed by the Netherlands Bach Society for All of Bach, the combination of instruments Bach uses can be described in many ways – famous, idiosyncratic, exceptionally beautiful and meaningful. In any case, the instrumentation is an unusual one. The violins are conspicuous by their absence, but there are two recorders and two viola da gambas, which provide a soft, comforting and sometimes almost heavenly sound. Recorded for the project All of Bach on May 16th 2015 at the Oostkerk, Middelburg. If you want to help us complete All of Bach, please subscribe to our channel 🤍 or consider donating 🤍 The English subtitling for this cantata was sponsored by the American Bach Society. The translation was made by Daniel R. Melamed and Michael Marissen. For an annotated version of the text and translation, see 🤍 For the interview with gamba player Mieneke van der Velden, conductor Jos van Veldhoven, and recorder player Heiko ter Schegget on 'Gottes Zeit ist die allerbeste Zeit' go to 🤍 For more information on BWV 106 and this production go to 🤍 All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and her guest musicians. Visit our free online treasury for more videos and background material 🤍 For concert dates and further information go to 🤍 Netherlands Bach Society Jos van Veldhoven, conductor Dorothee Mields, soprano Alex Potter, alto Charles Daniels, tenor Tobias Berndt, bass 0:00 Sonatina 2:42 Gottes Zeit ist die allerbeste Zeit (Chor) 4:49 Ach, Herr, Lehre uns bedenken (Arioso) 7:06 Bestelle dein Haus (Arie) 8:11 Es ist der alte Bund (Chor und arioso) 12:00 In deine Hände (Arie) 14:19 Heute wirst du mit mir im Paradies sein (Arioso) 17:55 Glorie, Lob, Ehr und Herrlichkeit (Chor)

Bach - Cantata Schwingt freudig euch empor BWV 36 - Van Veldhoven | Netherlands Bach Society

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20.08.2019

On 2 December 1731, a teacher at the St Thomas School would have looked up in surprise. In church, he suddenly heard the music that Bach wrote for his birthday six years earlier, as played here by the Netherlands Bach Society for All of Bach. The opening chorus was followed by a second surprise. The recitatives were replaced with new Advent chorales. This way, it was immediately clear that this was an Advent cantata. Everyone knew these familiar and popular church songs. Recorded for the project All of Bach on November 30th 2013 at the Walloon Church, Amsterdam. If you want to help us complete All of Bach, please subscribe to our channel 🤍 or consider donating 🤍 For the interview with conductor Jos van Veldhoven on 'Schwingt freudich euch empor' go to 🤍 For the interview with organist Leo van Doeselaar on 'Schwingt freudich euch empor' go to 🤍 For the interview with organist Pieter-Jan Belder and harpsichordist Siebe Henstra on 'Schwingt freudich euch empor' go to 🤍 For more information on BWV 36 and this production go to 🤍 All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and her guest musicians. Visit our free online treasury for more videos and background material 🤍 For concert dates and further information go to 🤍 Netherlands Bach Society Jos van Veldhoven, conductor Zsuzsi Tóth, soprano Barnabás Hegyi, alto Nicholas Mulroy, tenor Peter Harvey, bass 0:00 Schwingt freudig (Chorus) 4:07 Nun komm (Chorale) 7:56 Die Liebe zieht (Aria) 13:32 Zwingt die Saiten (Chorale) 15:25 Willkommen (Aria) 19:14 Der du bist (Chorale) 21:10 Auch mit gedämpften (Aria) 30:05 Lob sei Gott (Chorale)

Bach - Sinfonia from Cantata BWV 29 | Netherlands Bach Society

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For the complete cantata 'Wir danken dir, Gott, wir danken dir' BWV 29 go to: 🤍 The festive sinfonia from cantata 'Wir danken dir, Gott, wir danken dir' originally comes from a wedding cantata presumed to have been written in 1729. The organ ‘tune’, nowadays better known as the ‘Nokia tune’, is much older. Bach composed this melody in Köthen in 1720, as a piece for solo violin: Partita no. 3 in E major BWV 1006. Recorded for the project All of Bach on March 15th at St Martin's Church, Groningen. If you want to help us complete All of Bach, please subscribe to our channel 🤍 or consider donating 🤍 For the interview with organist Leo van Doeselaar and violinist Shunske Sato on BWV 29 go to 🤍 For the interview with conductor Jos van Veldhoven on BWV 29 go to 🤍 For the interview with soprano Maria Keohane on 'Wir danken dir, Gott, wir danken dir' go to 🤍 For further information on BWV 29 and this production go to 🤍 All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and her guest musicians. Visit our free online treasury for more videos and background material 🤍 For concert dates and further information go to 🤍 Netherlands Bach Society Jos van Veldhoven, conductor Leo van Doeselaar, organist

Bach - Cantata Was Gott tut, das ist wohlgetan BWV 100 - Van Veldhoven | Netherlands Bach Society

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When Bach used the chorale text for 'Was Gott tut, das ist wohlgetan’, performed by the Netherlands Bach Society for All of Bach, for the second time he took a completely different approach to his cantata of the same name from ten years earlier (BWV 99). He lent extra festivity to the instrumentation of that version (flute, oboe d’amore, horn, strings and basso continuo) by adding a second horn and timpani. Recorded for the project All of Bach on February 7th 2015 at the Grote Kerk, Naarden. If you want to help us complete All of Bach, please subscribe to our channel 🤍 or consider donating 🤍 For the interview with conductor Jos van Veldhoven on 'Was Gott tut, das ist wohlgetan' go to 🤍 For the interview with flute player Marten Root on BWV 100 go to 🤍 For more information on BWV 100 and this production go to 🤍 All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and her guest musicians. Visit our free online treasury for more videos and background material 🤍 For concert dates and further information go to 🤍 Netherlands Bach Society Jos van Veldhoven, conductor Gerlinde Sämann, soprano Damien Guillon, alto Charles Daniels, tenor Peter Kooij, bass 0:00 Was Gott tut, das ist wohlgetan (Chor) 4:54 Was Gott tut, das ist wohlgetan (Duett) 7:52 Was Gott tut, das ist wohlgetan (Arie, Sopran) 12:39 Was Gott tut, das ist wohlgetan (Arie, Bass) 16:04 Was Gott tut, das ist wohlgetan (Arie, Alto) 19:48 Was Gott tut, das ist wohlgetan (Choral)

Air on the G String (Suite No. 3, BWV 1068) J. S. Bach, original instruments

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The second movement, Aria, from Bach's orchestral suite in D Major, BWV 1068, performed on original instruments from the time of Bach by the Early Music ensemble Voices of Music. Please subscribe to our channel 🤍 Buy CDs🤍 Voices of Music FAQ Q. How can I support Voices of Music? A. Donate here: 🤍 and we will make more videos like this one :) Voices of Music Hanneke van Proosdij & David Tayler, directors The musicians and their instruments Carla Moore, baroque violin by Johann Georg Thir, Vienna, Austria, 1754 Maxine Nemerovski, baroque violin by Timothy Johnson, Indiana, 1999 (after Stradivarius) Elizabeth Blumenstock, baroque violin by Andrea Guarneri, Cremona, 1660 Kati Kyme, baroque violin by Johann Gottlob Pfretzschner, Mittenwald, 1791 Lisa Grodin, baroque viola by Mathias Eberl, Salzburg, Austria, 1680 William Skeen, five string baroque cello, Anonymous, Italy, c1680 Farley Pearce, violone by George Steppani, Manchester, 1985, after Amati, 1560 David Tayler, archlute by Andreas von Holst, Munich, 2012 after Magno Tieffenbrucker, Venice, c1610 Hanneke van Proosdij, baroque organ by Winold van der Putten, Finsterwolde, Netherlands, 2004, after early 18th-century northern German instruments #Bach #AirontheGString

J.S. Bach: Motet BWV 227 'Jesu, meine Freude' - Vocalconsort Berlin [HD]

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J.S. Bach: Motet BWV 227 'Jesu, meine Freude' Vocalconsort Berlin o.l.v. Daniel Reuss Opgenomen tijdens de BachDag i.s.m. de Organisatie Oude Muziek 29 januari 2012, Muziekgebouw aan 't IJ

J.S.Bach Concerto no.1 in D Minor BWV 1052 Polina Osetinskaya Anton Gakkel

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30.06.2015

NEW AMAZING MUSIC-VIDEO ON THIS CHANEL 🤍 - Benjamin Britten 🤍 - Arshia Samsaminia 🤍 - Roberto Di Marino J.S.Bach HARPSICHORD Concerto in D Minor BWV 1052 Polina Osetinskaya piano The Mariinsky String Orchestra Conductor: Anton Gakkel 🤍 St.Petersburg, Mariinsky Theatre, Concert Hall 29.03.2015 0:05 - 1mvt / 8:15 - 2mvt / 16:13 - 3mvt The life of pianist Polina Osetinskaya can be divided into two stages. The first – that of “wunderkind” (a word that Polina herself cannot abide) – was when Polina performed as a girl in huge halls filled with excited sensationalists. The second, which has continued to the present day, is essentially her victory over the first. It is both a reference to serious performing and to exacting audiences. Polina Osetinskaya began to perform at the age of five. At the age of seven she entered the Central School of Music of the Moscow Conservatoire. Polina gave her first concert at the age of six at the Great Hall of the Vilnius Conservatoire in Lithuania. Together with her father who accepted the role of manager, the young Polina began to undertake frequent tours throughout the former USSR to packed halls and ovations. In her own country Polina was possibly the most famous child of her time and her relationship with her father was portrayed by the mass media as some kind of soap opera after the thirteen-year-old Polina decided to leave her father and study music seriously at the school of the Leningrad Conservatoire under the acclaimed teacher Marina Wolf. Polina began to tour once again while still a student at the St Petersburg Conservatoire. (The pianist subsequently completed a postgraduate course at the Moscow Conservatoire under Professor Vera Gornostayeva.) She has appeared with the Tokyo Philharmonic Orchestra, the Orchestra of the Weimar National Opera, the Academic Symphony Orchestra of the St Petersburg Philharmonic (Honoured Ensemble of Russia), the State Academic Svetlanov Symphony Orchestra, the Moscow Virtuosi and the New Russia orchestra among other ensembles. Polina Osetinskaya’s onstage partners have included conductors Saulius Sondeckis, Vassily Sinaisky, Andrei Boreiko, Gerd Albrecht, Yan Pascal Tortelier and Thomas Sanderling. Polina Osetinskaya has performed at the Wallonie Festival in Brussels, the Mainly Mozart festival, the Frédéric Chopin Festival in Miami, the Stars of the White Nights festival and the December Evenings festival among numerous others. The pianist has been awarded the Maly Triumph prize. In 2008 she wrote her autobiography Farewell, Sadness, which became a bestseller. Polina Osetinskaya generally creates unusual and frequently paradoxical solo programmes. She almost always includes works by contemporary composers, frequently justaposing them with traditional classical works: “Contemporary music is not just a continuation of older music. It also helps us discover ideas and beauty in older music that have been lost over decades of the blind museum generation and mechanical and often soulless performing.” Polina Osetinskaya often performs works by post-avant-garde composers such as Valentin Silvestrov, Leonid Desyatnikov, Vladimir Martynov, Georgs Pelēcis and Pavel Karmanov. The pianist collaborates with many recording companies including Naxos, Sony Music and Bel Air. #polinaosetinskaya #musicaaldente #полинаосетинская #бах 🤍polinaosetinskaya127 🤍antongakkel

Bach - In deine Hände from Cantata BWV 106 | Netherlands Bach Society

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For the complete cantata 'Gottes Zeit ist die allerbeste Zeit (Actus Tragicus)' BWV 106 go to: 🤍 Eternal life lies at the heart of the ingenious construction of this cantata. Bach makes a stark contrast between the earthly death of the Old Testament (everyone must die) and the redemption of the New Testament. The text cites various books of the Bible, in accordance with the Lutheran view that God’s plan for our salvation covers the whole Bible. Incidentally, it is not clear who thought up the epithet ‘Actus Tragicus’, which first appeared in a manuscript dating from after Bach’s death. Het eeuwige leven staat centraal in de vernuftige opbouw van de cantate. Bach zet de aardse dood binnen het Oude Testament – iedereen moet sterven – scherp af tegen de verlossing uit het Nieuwe Testament. De tekst citeert uiteenlopende Bijbelboeken, in overeenstemming met de lutherse opvatting dat Gods plan voor onze redding de gehele Bijbel beslaat. Overigens is niet duidelijk wie de bijnaam ‘Actus Tragicus’, die voor het eerst in een manuscript van na Bachs dood verschijnt, bedacht heeft. Recorded for the project All of Bach on May 16th 2015 at the Oostkerk, Middelburg. If you want to help us complete All of Bach, please subscribe to our channel 🤍 or consider donating 🤍 For the interview with gamba player Mieneke van der Velden, conductor Jos van Veldhoven, and recorder player Heiko ter Schegget on 'Gottes Zeit ist die allerbeste Zeit' go to 🤍 For more information on BWV 106 and this production go to 🤍 All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and her guest musicians. Visit our free online treasury for more videos and background material 🤍 For concert dates and further information go to 🤍 Netherlands Bach Society Jos van Veldhoven, conductor Alex Potter, alto

Bach - Prelude and fugue in G major BWV 550 - Havinga | Netherlands Bach Society

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In early sources the opening of the Prelude and fugue in G major, performed by Matthias Havinga for All of Bach, is described as a “praeludio in G-dur con pedal". There is nothing unusual about the use of pedals (the ‘keys’ of the organ operated by the feet) in an organ piece in Bach’s day. But twelve bars into the piece you hear a long, lively pedal solo, which not only requires more than a second-rate village organist, but also more than a second-rate village organ. The range of the solo covers more than two octaves, which was definitely not the norm at the time! Recorded for the project All of Bach on September 21st 2016 at the St Bavo's Church, Haarlem. If you want to help us complete All of Bach, please subscribe to our channel 🤍 and consider donating 🤍 This recording was made with support of the Miller Family Charitable Foundation. For the interview with organist Matthias Havinga on the Prelude and fugue in G major go to 🤍 For more information on BWV 550 and this production go to 🤍 All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and its guest musicians. Visit our free online treasury for more videos and background material 🤍 For concert dates and further information go to 🤍 Matthias Havinga, organist Organ: Christian Müller, 1738

Bach - Motet O Jesu Christ, meins Lebens Licht BWV 118 | Netherlands Bach Society

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20.10.2022

Sometimes – viewed from our current performance perspective – Bach gets in his own way a bit: unclear genres and unusual instruments make his work interesting, but also difficult to place at times. A good example of this is O Jesu Christ, meins Lebens Licht. As a consequence of this BWV 118 is performed relatively infrequently, for which there is no musical reason whatsoever. It is a wonderful chorale arrangement, like the ones we are familiar with from the cantatas. Recorded for the project All of Bach on 27 May 2021 at the Walloon Church in Amsterdam. If you want to help us complete All of Bach, please subscribe to our channel 🤍 and consider donating 🤍 We thank MWH4impact foundation for their generous support of this recording. MWH4impact aims to achieve social and cultural impact and joins the Netherlands Bach Society in their mission Bach for All. For more information on BWV 118 and this production go to 🤍 All of Bach is a project of the Netherlands Bach Society, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and its guest musicians. Visit our free online treasury for more videos and background material on 🤍 For concert dates and tickets go to 🤍 Netherlands Bach Society Shunske Sato, direction

Bach - Christ, unser Herr, zum Jordan kam BWV 684 - Smits | Netherlands Bach Society

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‘Christ, unser Herr, zum Jordan kam’, performed by Reitze Smits for All of Bach, is brimming with cheerfulness. This Lutheran hymn is one with a very special promise: that of a new life. Christ was baptised in the Jordan by St John, and he baptises us to cleanse us of our sins. But the baptismal water is no ordinary water, as it is coloured with the blood of Christ. Through the water of death, the person baptised is reborn in Christ. Recorded for the project All of Bach on November 29th 2013 at the Lutheran Church, The Hague. If you want to help us complete All of Bach, please subscribe to our channel 🤍 and consider donating 🤍 For the interview with organist Reitze Smits on 'Christ, unser Herr, zum Jordan kam' go to 🤍 For more information on BWV 684 and this production go to 🤍 All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and its guest musicians. Visit our free online treasury for more videos and background material 🤍 For concert dates and further information go to 🤍 Reitze Smits, organist Organ: Johann Heinrich Hartmann Bätz, 1762

J.S. Bach - Cantata BWV 187 "Es wartet alles auf dich" (J.S. Bach Foundation)

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31.07.2021

Would you like to donate? Paypal.me/bachstiftung IBAN: CH73 0900 0000 8558 5738 0 From the protestant church Trogen in Switzerland Choir and Orchestra of the J. S. Bach Foundation Rudolf Lutz - Conductor Soloists: Soprano: Ulrike Hofbauer Alto: Elvira Bill Bass: Dominik Wörner Johann Sebastian Bach - Cantata BWV 187 "Es wartet alles auf dich" (Here look now all men to thee) 00:00 Bach - BWV 187, concert on 31.03.2017 00:35 Choir: "Es wartet alles auf dich, daß du ihnen Speise 06:19 Recitative (Bass): Was Kreaturen hält das große Rund der Welt! 07:26 Aria (Alto): Du Herr, du krönst allein das Jahr mit deinem Gut. 11:53 Aria (Bass): "Darum sollt ihr nicht sorgen noch sagen: 14:28 Aria (Soprano): Gott versorget alles Leben, 18:39 Recitative (Soprano): Halt ich nur fest an ihm mit kindlichem 20:02 Chorale: Gott hat die Erde zugericht’, Subscribe to our channel: 🤍 For further information on the Bach Foundation, go to: 🤍 The complete cantata, introductory workshop and reflection lecture (in German) are available at: 🤍

J.S. Bach: The Violin Concertos

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01:19:51
05.09.2018

All concertos for 1 violin by Bach. They are BWV 1041 and 1042: the well-known concertos. BWV1052, 1056 and 1064 are reconstructions. The latter one being for three violins. Soloists are among others Emmy Verhey and Rainer Kussmaul. Composer: Johann Sebastian Bach Artists: Emmy Verhey (violin), Camerata Antonio Luco, Rainer Kussmaul (violin), Henk Rubingh (violin), Thomas Hengelbrock (violin), Amsterdam Bach (Soloists) 🎵 Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer): 🤍 💎 More Information: 🤍 🎬🎮 These tracks are available for sync licensing in videos, films, tv-shows, games, advertising and more. For more information and to request a license go to: 🤍 Listen to more Violin Music here: 🤍 Tracklist: Violin Concerto in A Minor, BWV 1041: 0:00:00 I. Allegro 0:03:52 II. Adagio 0:10:23 III. Allegro Violin Concerto in E Major, BWV 1042: 0:14:22 I. Allegro 0:22:05 II. Adagio 0:28:47 III. Allegro assai Violin Concerto in D Minor, BWV 1052: 0:31:42 I. Allegro 0:39:20 II. Largo 0:46:22 III. Presto Violin Concerto in G Minor, BWV 1056: 0:54:14 I. Allegro 0:57:37 II. Andante 1:00:52 III. Allegro assai Concerto for 3 violins, strings & b.c. in D Major, BWV 1064: 1:04:30 I. Allegro 1:10:23 II. Adagio 1:15:35 III. Allegro 👉 Social media links: Instagram: 🤍 Facebook: 🤍 TikTok: 🤍 Spotify Playlists: Brilliant Classics Spotify: 🤍 New Classical Releases: 🤍 The Best of Liszt: 🤍 The Best of Bach: 🤍 Most Popular Piano Music: 🤍 Beautiful Classical Music: 🤍 Classical Music For Dinnertime: 🤍 Thank you for watching this video by Brilliant Classics, we hope you enjoyed it! Don’t forget to share it and subscribe to our YouTube channel. And visit our channel for other pieces by Bach and more of the greatest composers. We upload daily with complete albums and compilations with the best classical music. 🤍 #Bach #Classical #Violin #ClassicalMusic #ViolinConcertos #J.S.Bach

Bach - Gloria in excelsis Deo BWV 191 - Van Veldhoven | Netherlands Bach Society

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00:14:19
20.12.2018

'Gloria in excelsis Deo', performed by the Netherlands Bach Society for All of Bach, was actually part of a short mass that Bach presented as a gift to the Elector of Dresden. So the music was not intended for Leipzig and was not supposed to be performed there. A pity, and maybe Bach thought so too. We do not know precisely why and when he rewrote the gloria from the mass as a cantata. It is remarkable that Bach chose to use a Latin text for his Leipzig arrangement as well, as Latin church music was not common in Leipzig. But evidently an occasion presented itself, and Leipzig could thus enjoy Christmas music in regal style. Recorded for the project All of Bach on December 17th 2015 at the Grote Kerk, Naarden. If you want to help us complete All of Bach, please subscribe to our channel 🤍 and consider donating 🤍 For the interview with conductor Jos van Veldhoven on 'Gloria in excelsis Deo' go to 🤍 For more information on BWV 191 and this production go to 🤍 All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and her guest musicians. Visit our free online treasury for more videos and background material 🤍 For concert dates and further information go to 🤍 Netherlands Bach Society Jos van Veldhoven, conductor Maria Keohane, soprano I Michaela Riener, soprano II Alex Potter, alto Charles Daniels, tenor Matthias Winckhler, bass 0:00 Gloria in Excelsis Deo (Coro) 6:17 Gloria Patri et Filio (Duetto) 10:18 Sicut erat in principio (Coro)

Bach - Cantata Herz und Mund und Tat und Leben BWV 147 - Creed | Netherlands Bach Society

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00:30:18
24.12.2020

Bach’s famous chorale 'Jesus bleibet meine Freude', from cantata 'Herz und Mund und Tat und Leben', was first heard when the cantata was performed in Leipzig, on 2 July 1723, for the Feast of the Visitation. It was during Bach’s first months as cantor and he reused music that he had to hand, as he often did. Bach had already written most of BWV 147 in 1716, as an advent cantata for the court chapel in Weimar, but it was only in Leipzig that he added the recitatives with instrumental accompaniment and the well-known chorale. So Bach turned a concise cantata (opening chorus, four arias and probably a simple closing chorale) into a big two-part cantata. Recorded for the project All of Bach on December 13th 2018 at the Grote Kerk, Naarden. If you want to help us complete All of Bach, please subscribe to our channel 🤍 and consider donating 🤍 The English subtitling for this cantata was sponsored by the American Bach Society. The translation was made by Daniel R. Melamed and Michael Marissen. For an annotated version of the text and translation, see 🤍 For the interview with tenor Immo Schröder and oboist Emma Black on Cantata 147 go to 🤍 For more information on BWV 147 and this production go to 🤍 All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and its guest musicians. Visit our free online treasury for more videos and background material 🤍 For concert dates and further information go to 🤍 Netherlands Bach Society Marcus Creed, conductor Griet de Geyter, sopran Alex Potter, alto Guy Cutting, tenor Matthias Winckhler, bass 0:00 Herz und Mund und Tat und Leben (Chor) 4:16 Gebenedeiter Mund! (Rezitativ) 6:12 Schäme dich, o Seele, nicht (Arie) 9:54 Verstockung kann Gewaltige verblenden (Rezitativ) 11:31 Bereite dir, Jesu (Arie) 16:09 Wohl mir, daß ich Jesum habe (Choral) 18:51 Hilf, Jesu, hilf (Arie) 22:10 Der höchsten Allmacht Wunderhand (Rezitativ) 24:17 Ich will von Jesu Wundern singen (Arie) 27:13 Jesus bleibet meine Freude (Choral)

Bach - Cantata Ich habe genung BWV 82 - Mortensen | Netherlands Bach Society

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00:21:10
02.02.2021

The way that mortality was viewed in the eighteenth century is expressed wonderfully in 'Ich habe genung', performed by the Netherlands Bach Society for All of Bach. Death was seen as a deliverance from the earthly vale of tears, and as a chance to unite with your creator. So rather than being heart-rending, the music exudes a subdued melancholy. Recorded for the project All of Bach on February 1st 2014 at the Geertekerk, Utrecht. If you want to help us complete All of Bach, please subscribe to our channel 🤍 or consider donating 🤍 The English subtitling for this cantata was sponsored by the American Bach Society. The translation was made by Daniel R. Melamed and Michael Marissen. For an annotated version of the text and translation, see 🤍 For the interview with bass Thomas Bauer on 'Ich habe genung' go to 🤍 For the interview with conductor Lars Ulrik Mortensen on BWV 82 go to 🤍 For the interview with oboist Martin Stadler on BWV 82 go to 🤍 For more information on BWV 82 and this production go to 🤍 All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and her guest musicians. Visit our free online treasury for more videos and background material 🤍 For concert dates and further information go to 🤍 Netherlands Bach Society Lars Ulrik Mortensen, harpsichord and direction Thomas Bauer, bass 0:00 Ich habe genung (Arie) 6:34 Ich habe genung (Rezitativ) 7:40 Schlummert ein (Arie) 17:12 Mein Gott! (Rezitativ) 17:56 Ich freude mich (Arie)

Bach - Sonata for viola da gamba in D major BWV 1028 - Van der Velden | Netherlands Bach Society

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00:15:55
06.12.2018

From the very first notes, it is clear that Bach wrote the Sonata for gamba in D major, performed here by Mieneke van der Velden and Benjamin Alard for All of Bach, for a top-level gambist. The most likely candidate was the fourteen-year-old Carl Friedrich Abel, a promising gambist who went to study at the Thomasschule in Leipzig in 1737. Under Bach’s wing, he grew into an outstanding musician and composer. Although we cannot be certain, Carl Friedrich’s close ties with Bach and his great talent make him the ideal candidate performer of this sonata. Recorded for the project All of Bach on March 1st 2015 at the Paushuize, Utrecht. If you want to help us complete All of Bach, please subscribe to our channel 🤍 or consider donating 🤍 For the interview with gamba player Mieneke van der Velden on Sonata for gamba in D major go to 🤍 For more information on BWV 1028 and this production go to 🤍 All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and her guest musicians. Visit our free online treasury for more videos and background material 🤍 For concert dates and further information go to 🤍 Mieneke van der Velden, gamba player Viola da gamba: Antoine Despont, 1617 Benjamin Alard, harpsichordist Harpsichord: Joel Katzmann after Joannes Couchet, approx. 1650 0:00 Adagio 2:07 Allegro 6:22 Andante 11:12 Allegro

Víkingur Ólafsson – Bach: Organ Sonata No. 4, BWV 528: II. Andante [Adagio] (Transcr. Stradal)

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23.10.2019

Watch pianist Víkingur Ólafsson (“Artist of the Year” at the Gramophone Awards 2019) perform the Andante from Bach's Organ Sonata No. 4, as transcribed for the piano by August Stradal, from his album 'J. S. Bach - Works & Reworks'. The video was directed by Magnús Leifsson. Víkingur Ólafsson – Bach: Organ Sonata No. 4, BWV 528: II. Andante [Adagio] (Transcr. Stradal) Discover 'Bach: Works and Reworks": 🤍 Subscribe here – The Best Of Classical Music: 🤍 More from Víkingur Ólafsson More from Víkingur on Instagram: 🤍 More from Víkingur on Facebook: 🤍 More from Víkingur on Youtube: 🤍 Concert dates on his website: 🤍 _ Find Deutsche Grammophon Online Homepage: 🤍 Facebook: 🤍 Twitter: 🤍 Instagram: 🤍 Newsletter: 🤍 _ 最高のクラシック音楽―登録はこちら: 🤍 最优质古典音乐 – 此处订阅: 🤍 Лучшая Классическая Музыка - Подписаться: 🤍 La mejor música clásica - Suscríbase aquí: 🤍 Le meilleur de la musique classique. Pour vous abonner cliquez ici: 🤍 #ClassicalMusic #Bach #VíkingurÓlafsson

Bach - Oboe Concerto in F major BWV 1053r - Black | Netherlands Bach Society

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00:21:07
21.01.2021

This Concerto for Oboe in F major, performed by Emma Black and the Netherlands Bach Society for All of Bach, is a reconstruction of an oboe concerto, based on the keyboard concerto in E major, BWV 1053. Oboists did fairly well out of Bach, as his oeuvre contains more than two hundred oboe solos. They often concern one or two oboes in opening choruses and arias in the cantatas. But the true solo repertoire is sparse. For example, no solo concertos for oboe have survived. There are indications that Bach did indeed compose oboe concertos, whose manuscripts and parts have been lost over the years. For a complete oboe concerto, however, we have to rely on reconstructions, such as this Oboe Concerto in F major BWV 1053r. Recorded for the project All of Bach on December 6th 2019 at Stadsgehoorzaal, Leiden. If you want to help us complete All of Bach, please subscribe to our channel 🤍 and consider donating 🤍 This recording was made with support of L.C.M. Gieles, The Netherlands. For more information on BWV 1053r and this production go to 🤍 All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and its guest musicians. Visit our free online treasury for more videos and background material 🤍 For concert dates and further information go to 🤍 Netherlands Bach Society Emma Black, oboe 0:00 Allegro 8:34 Siciliano 13:56 Allegro

Bach - WTC II Prelude and fugue no. 1 in C major BWV 870 - Schornsheim | Netherlands Bach Society

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00:04:45
06.09.2022

A generous tune full of leaps in the right hand and a heavy pedal point in the bass: what a theme; what a powerful, optimistic statement in the radiant key of C major. And all of that in this impressive provincial government building with a wonderful view of Utrecht! Twenty years after his first collection of music in every key imaginable, Bach completed a second 'Wohltemperirte Clavier'. We recorded his first book of Preludes and Fugues at the homes of 24 different musicians. For this second part, performed in its entirety by Christine Schornsheim, we chose 12 very different locations in Utrecht, to celebrate the 900th anniversary of our home city. Recorded for the project All of Bach on 22 April 2022 at the Provincial House of Utrecht, the Netherlands. If you want to help us complete All of Bach, please subscribe to our channel 🤍 and consider donating 🤍 For more information on BWV 870 and this production go to 🤍 All of Bach is a project of the Netherlands Bach Society, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and its guest musicians. Visit our free online treasury for more videos and background material on 🤍 For concert dates and tickets go to 🤍 Christine Schornsheim, harpsichordist Harpsichord: Bruce Kennedy, 1989 after Michael Mietke 0:00 Prelude 2:42 Fugue

J.S. Bach - Cantata BWV 41 "Jesu, nun sei gepreiset" (J.S. Bach Foundation)

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31.12.2022

Would you like to donate? Paypal.me/bachstiftung IBAN: CH73 0900 0000 8558 5738 0 Choir and Orchestra of the J. S. Bach Foundation Rudolf Lutz - Conductor Soloists: Julia Doyle – Soprano Antonia Frey - Alto Florian Sievers - Tenor Stephan MacLeod - Bass Johann Sebastian Bach - Cantata BWV 41 "Jesu, nun sei gepreiset" (Jesus, now be praised) 00:00 Cantata BWV 41, Concert from 04/29/2022 00:33 Choir - Jesu, nun sei gepreiset 08:24 Aria (soprano) - Laß uns, o höchster Gott, das Jahr vollbringen 14:53 Recitative (alto) - Ach! deine Hand, dein Segen muß allein 15:55 Aria (tenor) - Woferne du den edlen Frieden 23:48 Recitative (bass and choir) - Doch weil der Feind bei Tag und Nacht 24:52 Chorale - Dein ist allein die Ehre Subscribe to our channel: 🤍youtube.com/user/Bachstiftung The complete cantata, introductory workshop and reflection lecture (in German) are available at: 🤍 For further information on the Bach Foundation, go to: 🤍

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